Vibra Trilogy
by Mark Wastell
Jazz Police
Spotburst
all day hot dog
David Auerbach
davidjnibloe
Tom W
Robert Walsh
mistermoo62
Michael Rosenstein
Barry Moffatt
velocifish
r3n3
ducky58
a_rw
johnnypurplehaze
Seth Tisue
Scott Ernest
Howard Martin
fyodor
Jason Dean Arnold
Graham Wilson
Nick Moys
Burton Thomas
Shut up, birdie!
Graham Lee
Kevin McNeilly
joe panzner
drewwesely
Jason Hoffman
Robert Smith
David Morrissey
Martin Reh
fort
Robert Bresnan
Euan Andrews
siggi1
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1. |
Vibra #1
23:57
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2. |
Vibra #2
33:59
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3. |
Come
19:30
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4. |
Crimson
12:52
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5. |
Rays
08:20
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about
Bringing together all of the material recorded for the three solo tam tam albums I made between 2004 and 2006.
Vibra #1 was recorded in 2004 and released on w.m.o./r (Spain) in 2005
Vibra #2 was recorded in 2004 and released on Longbox (USA) in 2005
Come Crimson Rays was recorded in 2005 and released on Kning Disk (Sweden) in 2007
"Getting a gong-like infinite low resonance, Wastell generates a state of abandoned trance through a series of vibrations able to reorganize the whole architectural physics of my listening environment. Mark feeds our belief in something superior, caressing, stroking and hitting with complete command of dynamics, like in a dungeon ceremony where silence is the only god to be revered. This is a crosscurrent akin to our deepest psyche, in total opposition to sonic wreckage and noise exploitation; it also confirms Wastell's constant growth both as musician and point of reference for everyone - player or listener - who's involved in reductionist improvisation." (Massimo Ricci, Touching Extremes)
Vibra #1 was recorded in 2004 and released on w.m.o./r (Spain) in 2005
Vibra #2 was recorded in 2004 and released on Longbox (USA) in 2005
Come Crimson Rays was recorded in 2005 and released on Kning Disk (Sweden) in 2007
"Getting a gong-like infinite low resonance, Wastell generates a state of abandoned trance through a series of vibrations able to reorganize the whole architectural physics of my listening environment. Mark feeds our belief in something superior, caressing, stroking and hitting with complete command of dynamics, like in a dungeon ceremony where silence is the only god to be revered. This is a crosscurrent akin to our deepest psyche, in total opposition to sonic wreckage and noise exploitation; it also confirms Wastell's constant growth both as musician and point of reference for everyone - player or listener - who's involved in reductionist improvisation." (Massimo Ricci, Touching Extremes)
credits
released March 8, 2024
All three albums was engineered and recorded by Graham Halliwell at the Old School, Bracon Ash, Norfolk.
All three albums was engineered and recorded by Graham Halliwell at the Old School, Bracon Ash, Norfolk.
license
all rights reserved
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about
Confront Recordings London, UK
Confront Recordings : proudly publishing adventurous music since 1996.
discography
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